By Chung-yuan Chang
Publish 12 months note: First released The Julian Press, Inc. in 1965
Simultaneously obtainable and scholarly, this vintage e-book considers the underlying philosophy and the aesthetics of chinese language paintings and poetry, the expression of the Taoist method of life. Chapters hide every thing from the opportunity of creativity to the way in which tranquility is mirrored in chinese language poems and portray. Chung-yuan Chang's deceptively easy and continually lucid narrative explores the connection among the Tao and the inventive arts, introducing vintage work and poems to deliver Taoism to lifestyles.
In Creativity and Taoism, Chang Chung-yuan makes the elusive precept of Tao on hand to the western brain with objectivity, heat, and intensity of perception. it really is a tremendous contribution to the duty of creating the Taoist knowledge obtainable to the western intellect' - Ira Progoff'
No one could learn Chang's e-book with no experiencing a broadening of his psychological horizons' - John C. H. Wu, Philosophy East and West'
His interpretation of the Taoist roots of Ch'an has been awarded with flavor and studying that support to solve many questions that should have happened to someone acquainted with his topic. "The Spirit of the Valley" dwells during this quiet and mild guy who, as so infrequently occurs, truly embodies many of the philosophic characteristics of which he writes' - Gerald Sykes
If the tip of interpreting is the enhancement of existence, the growth of expertise and knowing, then this e-book turns into a tremendous step in that course. Dr. Chang writes in a method either lucid and felicitous. He screens with changing into modesty a mastery of the sector, its improvement and its ideas... there's rarely a web page which doesn't supply pleasure' - Robert R. Kirsh, la Times
Professor Chang's learn, a super exposition and research, is worried with the relevance and applicability of the Taoist view in chinese language inventive and highbrow creativity. Few different works facilitate so delicate an figuring out of inventive impulse and expression in chinese language culture' - Hyman Kublin, Library Journal
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Additional resources for Creativity and Taoism: A Study of Chinese Philosophy, Art and Poetry
The chapters on poetry and painting are intended to show how the invisible Tao manifests itself through art. The chapter on self-realization points out ways of self cultivation toward the ultimate goal of enlightenment. 16 T’ang Yung-t’ung, History of Buddhism in Han, Wei Chin, and in the Period of Disunity, Vol. II, p. 630. Introduction 45 Most of the ideas incorporated in this book were first presented in different form in lectures at Oxford University; the Royal Institute of Philosophy, London; the C.
With big innocent eyes she gazes into the distance. The tail, just one strong black line, suggests slight motion of the cow’s body. The small horizontal lines are swallows playing gaily in the high sky. There is a well-balanced combination of movement and calmness in the picture. The atmosphere throughout is of rare transparency. When the artist held the brush his innermost being must have been tranquil and serene. Plate 12 Ch’i Pai-shih (1861-1957) BAMBOO BRANCH This bamboo painting has qualities of its own which set it apart from the three previous selections.
To hold to the Tao of old, To deal with the affairs at hand, In order to understand the primordial beginnings, That is called the rule of Tao (Ch. XIV). In this passage Lao Tzu identifies Tao as the One which is invisible, inaudible, unfathomable. It is the same One, past and present; it embraces form and formless alike, being as well as nonbeing. The One is therefore a unification of duality and multiplicity. It is the One without opposite, infinite and unceasing. In our empirical existence we draw innumerable distinctions that make for a dualistic view of the universe.
Creativity and Taoism: A Study of Chinese Philosophy, Art and Poetry by Chung-yuan Chang